Next to Nothing

Such successful debuts are rare.

Karol Barzowski, Onet Kultura

One of the best films in this year’s main competition at the Gdynia Festival, with a keen ear for dialogue and well-deserved recognition for its acting, far removed from the autopilot performances typical of mainstream cinema. Particularly notable is Paczesny’s sincere, unshowy, and nearly outstanding portrayal. This is a successful film, free from bias, setting a high bar for the debut filmmaker and any potential imitators.

Dawid Smyk, Pełna Sala

The film’s strength lies primarily in its original and ambiguous script, characterized by a unique perspective that resists any clichés.

Marta Waszkiewicz, Zwierciadło